Spotlight









Rafay Rashdi is a filmmaker who believes stories can heal, confront, and connect. Born in Hyderabad, Pakistan, and now based in Toronto, Rafay’s creative journey began with a childhood camcorder and a dream. Today, he’s crafting cinematic experiences that center South Asian identity, intergenerational trauma, and emotional truth—while reaching audiences far beyond borders. His feature film Deemak premiered on Eid-ul-Adha and won Best Editing at China’s SCO Film Festival—making waves for Pakistani cinema and South Asian horror. Rafay is now championing bold, cross-border stories that defy genre and expectation.
Rafay Rashdi: I was born in Hyderabad, Pakistan, but spent most of my younger years in Karachi. My childhood was pretty normal—school, home, the usual. It was a humble and grounded upbringing. I’m currently based in Toronto, Canada. I work here as a director, doing everything media-related from this side of the world.
Rafay Rashdi: Patient, persistent, and professional.
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Rafay Rashdi: Everyone has a calling. I always wanted to be a filmmaker. As a kid, I’d use camcorders to shoot videos and record audio tapes. It was a passion that eventually turned into a career.

Rafay Rashdi: It happened when I started recording. I realized I didn’t just enjoy shooting—I loved writing too. That was when I truly discovered the creative spark in me.
Rafay Rashdi: Upcoming filmmakers often ask me for advice—whether it’s about casting or production. I love helping young talent and sharing what I’ve learned.
Rafay Rashdi: My feature film Deemak recently premiered in Pakistan during Eid-ul-Adha. It’s a supernatural horror that explores generational trauma within a Pakistani family, inspired by folklore and true events. It just won Best Editing at the SCO Film Festival in China, which was a huge moment for me—and for South Asian horror films in general.
I’m exploring the international festival circuit and also working on short series in Toronto, but I can’t reveal much due to NDAs.
Rafay Rashdi: The struggle. People only see the final product and think it’s easy. But it takes patience and countless hours of work—people rarely see that side of it.

Rafay Rashdi: Winning my first international film award last year for my short film “Jamun Ka Darakht” or “The Java Plum Tree”. I had never won anything before, so it was a very special and emotional moment for me.
Rafay Rashdi: I’m a very private person. I don’t share family moments online. I keep it professional and focused on my work. I avoid controversies and try to stay rooted in what I do best.
Rafay Rashdi: It’s a tough industry—12+ hour days. I usually grab whatever’s available—sandwiches, fries. For self-care, I watch shows or movies to unwind mentally. Physically, I try to stay regular at the gym.

Rafay Rashdi: So many people. Of course, filmmakers like Spielberg, Nolan, and Cameron inspire me. But also everyday people—those who’ve been grinding for 25 years and finally won. That motivates me deeply.
Rafay Rashdi: I used to be a DJ during my university days. I produced music and played at events—a totally different chapter of life, but it was fun and creative in its own way.
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Rafay Rashdi: My mother. Every time I struggled, she believed in me. Her words—“aim for the stars”—still echo in my mind. That kind of support keeps you going.
Rafay Rashdi: Detail-oriented.

Rafay Rashdi: There are no shortcuts. You have to feel the grind. Experience is everything—you can’t just wake up and become a filmmaker. It takes years of effort and learning.
Rafay Rashdi is bringing fresh, authentic South Asian narratives to the screen—one story at a time. With a filmmaker’s eye and a storyteller’s soul, he’s reshaping how we see culture, trauma, and identity through film.
| Find Rafay: Instagram: Rafay Rashdi Website: rafay-rashdi.com Twitter: Rafay Rashdi Facebook: Rafay Rashdi |
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